This Issue

 
 

Amorsolo & the Modern Mind

National Artist Fernando Cueto Amorsolo’s images might reflect now-unfamiliar scenes of a  long-gone era,  but, as Reuben Ramas Cañete writes, the maestro was truly way ahead of his time.

Fernando Amorsolo's "Planting Rice with Mayon Volcano", 1949, 70 x 100.5 cm, Oil on canvas
From the Del Monte Collection
Image courtesy of Metropolitan Museum of Manila

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Juvenal Sanso's Dawnscapes Back to Black

With a new show called Dawnscapes in the offing, Juvenal Sanso explains a process he used called reverse painting, and why an inclination for going against the grain has propelled his career into a long, illustrious one.  

WORDS TARA FT SERING

Juvenal Sanso's "Waves of Gold", Acrylic on canvas

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Theater of the Imagination

Each sculpture by Gabriel Barredo is a striking bravura performance of the artist’s hyperactive and surreal imagination, obsessive craftsmanship, and a host of unlikely media—from carved rubber, to bed springs, to shoe polish locks. And unlike his works, the reason why he does what he does is surprisingly simple.

By Tara FT Sering
Photographs by Nicky Sering

Detail of Gabriel Barredo's "Setting Angels Free"

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Contemporary Women Artists

Riel Hilario traces the evolution of the works of contemporary women artists Marina Cruz-Garcia, Annie Cabigting, Nona Garcia, Geraldine Javier and Yasmin Sison-Ching

Geraldine Javier's "One Leads to Oblivion, The Other to Sorrow", 2005, 122x183 cm, Oil on canvas
Image courtesy of Christie's Images Ltd. 2008

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